I usually write a preview post every four months or so. It’s that time again…
MAY is a busy month. I’ll be in London later this week where I will try to see The Globe’s Merchant of Venice starring Jonathan Pryce as Shylock. I’ll also definitely see the RSC’s A Mad World My Masters at the Barbican. I was finishing my PhD when this was on in Stratford, so completely missed it, so I’m happy to have another chance to see the Constable of the Commonwealth. I’ll be in Stratford later this month too, where I’ll look forward to seeing Marlowe’s The Jew of Malta and, if possible, Ford’s Love’s Sacrifice. If I can, I’ll also go back to London for Ninagawa’s Hamlet at the Barbican. It will be busy, then, and there will be a lot that I won’t see. I won’t get to the York International Shakespeare Festival and I’ll miss the Malone Society’s staged reading of King Leir at Somerville College, Oxford. Last year’s event, which I wrote about here, was really good, so I’m sad to miss it.
JUNE sees the opening of two of my favourite plays: Measure for Measure at the Globe and Othello at the RSC. I’ll hope to see both. It’s also an interesting month for staged readings of John Ford. The Globe’s Read Not Dead will produce The Queen in May and follow that up with The Lover’s Melancholy and Perkin Warbeck in June. You can see the full list here. Perkin Warbeck is really wonderful, so I’ll try very hard to see it (in the meantime, someone please do a full production). I’ll be in Canterbury at the end of the month for the John Fletcher conference at which there will be a script-in-hand performance of The Two Noble Kinsmen at St Mildred’s Church. The full details, including the conference programme, are available here.
JULY involves another exciting Fletcher event: a script-in-hand performance of The Scornful Lady at The Shakespeare Institute. Middleton’s A Game at Chess also gets a script-in-hand performance in July, at an interesting symposium in Canterbury. I also look forward to the opening of the RSC’s Volpone and to the National Theatre of China’s Richard III which is at the Globe.
AUGUST is harder to preview – I’m sure lots of things will pop up between now and then, but I’ll hopefully also see The Merchant of Venice at the RSC and I’m interested in Carol Ann Duffy’s adaptation of the medieval Everyman at the National. I’m sure there’s lots that I’ve missed out or don’t know about and there are some that I’ve ignored (I can’t write about everything!) Let me know what you think!