SAA 2016

The Shakespeare Association of America conference is usually a useful but punishing experience: useful to meet people, to share ideas, and to be exposed to new ways of thinking; punishing because physically and mentally exhausting. It can be a frustrating and isolating experience: it is very easy to feel alone in a crowd. This year the experience was different for me because, for the first time, I co-organized a seminar. This was my fourth SAA and I’ve had some frustrating experiences in previous conferences – just trying to get a word in can be a challenge when you are a PhD student in a big seminar alongside numerous loquacious high-profile academics. Running a seminar is different. It was scarier than I thought it’d be – I didn’t feel nervous until the morning when I suddenly realized we were in charge of the bloody thing – but it was also a great experience. It’s much easier to meet people (at some seminars I’ve been in I’ve left without properly speaking to everyone) and you get a great perspective on your chosen subject. We were lucky to receive excellent papers that challenged us to think about our topic – reprints, revivals and other renewals of Renaissance plays – in new and surprising ways. We were grateful, as early career academics, to have the opportunity to run a seminar and it’s great to see the SAA supporting early career academics in other ways: Next Gen Plen was again a success and the conference offered contingent faculty grants for the first time. But I can’t help thinking that what was, for me, a profitable conference experience (this time) may have been a frustration or disappointment to someone else. We probably don’t admit to these difficulties as much as we might do. Certainly, I haven’t always done this in the past. I feel a lot more confident and secure in conferences now, but it’s still scary. Twitter has been helpful in giving me more confidence to talk to people (even if it was a shame not to have internet access during the conference itself) but it’s not a substitute for the actual conference experience.

Anyway, there have been some useful reflections written on SAA 2016 already. Steve Mentz has written about communities; Joseph Wallace has written about specialisms. I think it’s useful to look at Shakespeare (and Shakespeare conferences) with a critical eye, so I appreciate these responses. My own response would be somewhat narrower, partly because, unlike previous years, I didn’t put myself under pressure to go to everything. SAA can be a great intellectual experience but it often feels like you’re being beaten over the head with all of the stuff you don’t know. I stuck more to my own subject this year which was better for my well-being, if not my critical development! I was pleasantly surprised to find so many panels and seminars placing Shakespeare in direct dialogue with other Renaissance authors. This wasn’t a major surprise – SAA has always been open to that kind of study – but given the peculiar force Shakespeare is exerting in 2016 it was still pleasing to see that Shakespeare was not utterly eclipsing everything else (giant Shakespeare head aside). For example, in the excellent ‘Race and… seminar Shakespeare sat next to The Spanish Gypsy, The Masque of Blackness, The Jew of Malta, The Fair Maid of the West, The Revenger’s Tragedy, The White Devil, The Battle of Alcazar and The English Moor. It was fascinating to see these plays being brought into a variety of conversations with such an important topic. Elsewhere, the wonderful ‘Before Shakespeare: The Drama of the 1580s‘ seminar kept Shakespeare in the picture without making him central. Robert Wilson, John Lyly, Thomas Lodge, George Peele, Christopher Marlowe, Henry Porter, and ‘Anon’ all featured. And in our seminar topics ranged from the Elizabethan period to the Restoration (including the understudied period between 1642 and 1660) and discussion centred a range of authors and stationers. The final day also featured an excellent panel on Theatre History which opened up valuable discussions about attribution studies and lost plays.

Later this year the International Shakespeare Association’s World Shakespeare Congress will open in Stratford-upon-Avon before transferring to London. Later still, the British Shakespeare Association Conference will open in Hull. Shakespeare will be celebrated (and why not?) but I’ll be interested to see how not-Shakespearean Renaissance drama features. SAA struck a useful balance, I think, but it remains to be seen how these UK-based conferences handle the topic.

Shax
The face that launched a thousand tweets. Oh, wait, that was the other guy
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